Thursday, September 6, 2018

Cine Universo, Cine São João (Vila Matilde), Cine Rancho etc.

Cine São João, 1967. Rua Dona Matilde, 171, Vila Matilde.
Cine São João opened in 1951, with 968 seats; here's seen as it showed 'Rita, o mosquito'.

Cine Universo on Rua Celso Garcia was the 2nd largest cinema-house in town (Cine Piratininga was # 1). 
Cine Universo had a ceiling opening contraption to let the sunshine in whenever they wanted to air the place. Sometimes they opened it as in April 1966, when singer Roberto Carlos had a special birthday bash for the masses. 
part of Cine Universo seen from the outside...
Cine Guaianazes in November 1961, played Carlos Hugo Christensen's 'Meus amores no Rio'.
1974 - Cine Rancho at Sancta Efigenia, Rua General Couto de Magalhães, 140.
1930s - Theatro Boa Vista, Rua Boa Vista, 30, on the corner of Ladeira Porto Geral.

Saturday, May 26, 2018

RADIO ELDORADO, 700 kilocycles, 4 January 1958.

5 January 1958 - the newst radio station in Sao Paulo, Radio Eldorado, starts its operation on a Saturday being blessed by Don Carlos Carmelo de Vasconcelos Melo, Catholic Church's highest authority and Carvalho Pinto the conservative governor of Sao Paulo. Popular Brazilian President Juscelino Kubitschek was anathema for the conservative newspaper owner Julio de Mesquita Filho
5 January 1958 - daily 'O Estado de Sao Paulo' report about Radio Eldorado inauguration the previous day. 
1st May 1958 - Radio Eldorado ad on 'O Estado de S.Paulo'.

There was a time in 1959, that conservative daily 'O Estado de S. Paulo' saw Fidel Castro's revolution in Cuba with benign eyes. Radio Eldorado even broadcast programmes about Cuban Revolutionary Songs in 1959. 

That all ended when the USA cut diplomatic relations with Cuba in early 1961... and after Castro declared himself Marxist-Leninist on 2nd December 1961, OESP and Radio Eldorado would rather see the Devil himself than Fidel & Communism. 


9 August 1959 - For those who know a little about politics this article published at daily 'O Estado de S.Paulo' is an aberration. Radio Eldorado, owned by the very conservative group Estadão, presented a programme showcasing some of the Cuban Revolution most popular songs. 

As soon as Fidel Castro declared himself a Marxist-Leninist follower, 'OESP' would rather see the Devil himself than anything related to Cuba and Communism. So it is actually fun to read this article and imagine that one day hyper-conservative Radio Eldorado played songs like 'Canción de Libertad' (canção do soldado cubano), 'Marcha de los barbudos', 'Marcha 26 de Julio' or 'Mambo de la Reforma Agraria'... the simple words Reforma Agrária (Land Reform) was anathema for those conservative bulwark.

read about when Fidel Castro declared himself Marxist-Leninist on 2nd December 1961:
https://www.history.com/this-day-in-history/castro-declares-himself-a-marxist-leninist

Following a year of severely-strained relations between the USA and Cuba, Fidel Castro openly declares that he is a Marxist-Leninist. The announcement sealed the bitter Cold War animosity between the two nations.

Fidel Castro came to power in 1959, after leading a successful revolution against the dictatorial regime of Fulgencio Batista. Almost from the start, the US worried that Castro was too leftist in his politics. He implemented Agraria Reform, expropriated foreign oil company holdings, and eventually seized all foreign-owned property in Cuba. He also established close diplomatic relations with the Soviet Union, and the Russians were soon providing economic and military aid.

By January 1961, the USA had severed diplomatic relations with Cuba. In April, the ill-fated Bay of Pigs invasion took place, wherein hundreds of rebles, armed and trained by the US, attempted a landing in Cuba with the intent of overthrowing the Castro government. The attack ended in a dismal military defeat for the rebles and an embarrassing diplomatic setback for the USA.

In December 1961, Castro made clear what most US officials already believed. In a televised address on 2 December 1961, Castro declares, 'I am a Marxist-Leninist and shall be one until the end of my life.'

He went on to state that, 'Marxism or scientific socialism has become the revolutionary movement of the working class.' He also noted that communism would be the dominant force in Cuban politics: 'There cannot be 3 or 4 movements.'

Some questioned Castro's dedication to the communist cause, believing that his announcement was simply a stunt to get more Soviet assistance. Castro, however, never deviated from his declared principles, and went on to become one of the world's longest-ruling heads-of-state.

In late July 2006, an unwell Fidel Castro temporarily ceded -power to his younger brother Raul. Fidel Castro officially stepped down in February 2008. Castro died on 25 November 2016, at 90.
 23rd July 1961 -

Monday, May 21, 2018

just before the great fire... 1st May 2018.

the Police tall building seen from Galeria do Rock...
The short block between Rua do Boticário and Avenida Rio Branco in 1973... 
1st May 2018.
The old Lutheran Church after the fire...

São Paulo: deadly fire in squatted tower block sheds light on dire housing crisis

Thousands of people are living in precarious abandoned buildings due to the city’s unaffordable rents

Sam Cowie in São Paulo, for The Guardian
3rd May 2018, Thursday

It took Adriana dos Santos and her six children 20 minutes to scramble to safety, feeling their way down seven dark flights of stairs as the flames spread around them.

An hour later, the 24-story building where they’d been living in downtown São Paulo collapsed, as firefighters attempted to rescue a man who’d reportedly re-entered the building to save a woman and her children.

Like many others who had been squatted in the block, Dos Santos escaped with nothing but her life. Others were even less lucky. “People are buried under the rubble,” she said.

Firefighters attempt to extinguish the flames that destroyed the high-rise.

Forty-nine people remain missing after the blaze, although a spokesman for the city’s military brigade said they may not have been in the building when the fire tore through the block early on Tuesday.

First lieutenant Guilherme Derrite said that 317 people were registered as living in the building, although local media reported that the figure could be as high as 428.

At least four people were known to have been trapped in the building when it collapsed. “It would a miracle if anyone that was inside survived,” Derrite said.

The fire has shone a spotlight on desperate housing situation in São Paulo, which has a housing deficit of 1.300,000 homes, according to latest figures from Brazil’s João Pinheiro Foundation.

Thousands are forced to squat in precarious abandoned buildings that lack any kind of safety prevision or on vacant lots on the city’s outskirts.

In Brazil, squatting is legal providing the property is abandoned and performs no social function, and São Paulo is home to several highly organized housing rights movements, many of whom have succeeded in turning occupied buildings or vacant lots into public housing units for low-income earners.

But the fire is expected to complicate matters for squatting groups no matter how professional, organized or well intentioned. Activists already warn that housing movements will likely face a backlash while the core issue – a lack of affordable housing in Latin America’s biggest city – will go unaddressed.

Dos Santos Silva and dozens of other survivors are now camped out by a church less than 100m from the heap of grey smoldering rubble of the collapsed building.

Before the fire, she eked out a living hawking chewing gum and sweets in central São Paulo. On a good day, she could make R$50 (£10.38).

The building, a former Federal Police Head Quarters, was abandoned more than 10 years ago and Adriana said that she moved in as a squatter two years ago after she became homeless.

Small two bedroom apartments on São Paulo’s outskirts often go for R$ 500 – 700 (£103 – £145) in areas sometimes two hours from the centre, while minimum wage in Brazil is R$ 950 a month. Unemployment is highest in years at around 12%.

“What has happened here is an accident and a tragedy but by no means an isolated case,” said Sâmia Bonfim, a city councilwoman with the leftwing Socialism and Liberty (PSOL) Party.

Ricardo Luciano, 41, who declared himself as the leader of the movement that occupied the building said that survivors of the fire would remain camped by the church in impromptu protest camp.

“If we go to the shelters, we will be forgotten about, we are here demanding our right to housing,” he said.

Saturday, May 12, 2018

1 9 5 3 / 1 9 5 4


original photo taken by Alice Brill in 1953.
Unidentified boy in 1953, with the Othon Palace Hotel under construction in the back. 
a young lady buys a lottery ticket from a old lady in an unidentified avenue in São Paulo.
Clicio Pereira wrote at Facebook: Monumento idealizado por Oscar Niemeyer para comemoração do IV Centenário da cidade de São Paulo, em 1954. Infelizmente, durou pouco tempo... era ousado demais para a época e mesmo construído em concreto armado para as solenidades de 25 de janeiro, desabou pouco antes da inauguração do Parque do Ibirapuera, onde se situava, na entrada.

Nelson Primi wrote at Facebook: Poucas pessoas entenderam o significado dessa bela escultura: era apenas um número 4 do Centenário, estilizado apontando para o infinito. Grande mestre Niemeyer!

 

Thursday, May 3, 2018

Beatniks Praça Carlos Gomes-style - June 1967

By mid 1967, a full 6 months before the Brazilian Military Dictatorship shut the doors close on any kind of democracy with the introduction of draconian AI-5 (Institutional Act 5, that closed both houses of Congress houses and suspended people's constitutional rights) weekly illustrated-magazine 'O Cruzeiro' published an article about a group of high school students who took preparatory courses for university-entrance examinations around Praça Carlos Gomes in downtown Sao Paulo. They were hip, fashion-conscious with an attitude.

Os 'Niks' (short for 'beatniks') só falam em filosofia, amor e arte' (Niks only talk about philosophy, love & art).

Article written by Hilton Viana for illustrated weekly magazine 'O Cruzeiro', 3rd June 1967
Praça Carlos Gomes Niks only talk about love & art. 


Praça Carlos Gomes, named after Antonio Carlos Gomes (1836-1896, a Brazilian composer who wrote operas) is a fairly small park located in the heart of old Sao Paulo. There was nothing really exceptional about it until the emergence of such an extravagant young crowd who lounged around its gardens & benches while waiting to attend classes at Curso Santa Ignez, a private school that prepared young hopefuls for the very competitive university-entrance-examinations.

Erything started circa 1963, when a few philophy students (7 boys & 3 girls) adopted Praça Carlos Gomes as a rallying place where they could whileaway the hours and talk about their favourite subject: filosophy. They were former boy-scouts and probably Jack Kerouac fans so they called themselves CGniks. By 1967, the original 10 students were joined by 25 new members, mostly from Santa Ignez school just around the corner.


Praça Carlos Gomes with Cine Joia in the background.
Cine Joia showed Toho Films flicks...

Praça Carlos Gomes as it was in 1937.

Friday, October 20, 2017

WALTER SILVA, disc jockey & cultural agitator

 

Legendary São Paulo DJ Walter Silva aka Pica-Pau (Woody Pecker) made a name for himself first as a record label promoter for independent RGE visiting radio stations all over Brazil and then as a popular disc jockey at Radio Bandeirantes at its peak in the mid to late 1950s.

Walter Silva helped promote Maysa circa 1956. Two years later he was instrumental in supporting João Gilberto's 'Chega de saudade' single which had already been given up by Odeon's men as a dud. Walter would keep on playing João Gilberto's seminal record until it entered the charts first in São Paulo and then the whole country.

By 1963, Walter started promoting Bossa Nova revival concerts at Theatro Paramount in São Paulo which became a sort of South American Olympiá. Mr Silva would tape the live shows and release them as albums for RGE. In 1964, 'O fino da bossa' featuring Alaíde Costa's 'Onde está você?', Ana Lúcia's 'Tem dó' and Wanda's 'Desafinado' topped the album charts being at #1 for many weeks. Walter's idea of filling theatres with avid fans of Brazilian music brought on the legendary 'MPB festivals' that raged the scene until the end of the 1960s. 

Walter Silva was definetly a trend setter. Here, Walter is interviewed by a local journalist who worked for a Mooca publication. Mooca being the suburb in which Walter Silva was born and raised. 

Walter Silva, o “Pica-Pau”

Nossa personalidade mooquense de hoje é o Walter Silva, também conhecido por Pica-Pau, famosíssimo radialista, locutor de televisão, jornalista, escritor, produtor e divulgador musical etc.

A espontaneidade do depoimento de nosso homenageado foi tão atraente, que preferimos transcrever a sua história com suas próprias palavras :

“Costumo dizer que sou nascido e mal-criado na Moóca (que significa 'pouso', 'rancho' em Tupi). Filho de Francisco da Silva, motorista de ônibus e Vicentina Cardenuto da Silva, tecelã, filha de italianos, de Nápoles e da Calábria, fui criado pela avó, portuguesa da Régua, Mariana Ferreira da Silva e pelo seu marido de segundas núpcias “seo” Américo Antonio Gomes, também português, de Bragança, Trás-os-Montes, motorista de táxi.

Por eles fui criado dos 2 aos 21 anos. A mãe desse sr Américo tinha uma leiteria na Rua do Oratório; o pai dele chamava-se Eugenio Gomes e a mãe Maria e ambos se conheceram num baile da Portuguesa da Moóca, no salão que tinha na rua Marques de Valença quase esquina da Pires de Campos.

Nasci em 7 Março 1933, na rua Dom Bosco n° 752 (na época chamava-se rua Xingu), aliás, a mesma rua onde nasceu José Serra, mas a família teve muitos outros endereços, pois a cada aumento do aluguel se via obrigada a procurar por uma moradia mais barata: Rua Antunes Maciel, Marques de Valença, Padre Raposo, Jumana, Dom Joaquim de Melo, Conde Prates. Daí mudamos para Rua Cuiabá 569 pegado ao local onde hoje está o MMDC. Lá era um vale de água límpida e barro branco.

A gente pulava lá de cima e caia no barro branco. Daí ela mudou para uma outra casa em frente, no 596 que era do sr. Vitório, chefe dos cocheiros da Antactica. Ele chegava cheirando a estrume todo dia, mas era um português maravilhoso, muito bacana. Dali fomos para a Pires de Campos, onde morei até 1954 quando me casei, com 21 anos, e fui morar na Rua Javari em frente ao Crespi e, depois disso, numa vila da Rua João Antonio de Oliveira ao lado do campo do Juventus. A gente subia numa escada e ficava assistindo aos jogos.

Eu nasci na Rua Dom Bosco, mas só ia lá nos finais de semana visitar meus pais e meus irmãos. Eu tinha 5 irmãos : WilmaWilsonWandaWandir e Wanderlei. Eu tive uma infância muito triste e solitária, porque eu queria estar com meus irmãos e ficava com a minha avó que era severíssima e com o meu padrinho, “seo” Américo, que era um santo; não reclamava: me ajudava e me orientava em muitas coisas; falávamos sobre política. Com seu incentivo, já aos 14 anos, em 1947, eu era orador da juventude comunista, partido ao qual me engajei.

Comecei meus estudos no pré-primário do Externato Paes de Barros localizado na esquina da Rua Madre de Deus com Paes de Barros. A minha professora chamava-se Esther de Freitas, era uma negra forte, bonita. Aos 7 anos entrei no Grupo Escolar Armando Araújo, cujo diretor era o Professor Luiz Coffone. Aos onze anos, em 1944, terminado o grupo escolar, fui trabalhar na fábrica Redentor, na rua da Mooca, onde embrulhava santinhos de chumbo: N.S. Aparecida, Santo Antonio, São Gennaro mas, o que mais vendia era Santo Onofre, o protetor dos bêbados.

Depois, cursei dactilografia na Escola Técnica de Comércio Brasilux, sendo aluno de dona Olímpia e do Professor Rampazzo. Fiz Senai, sou torneiro mecânico. Fiz Senac, sou auxiliar de escritório.

A veia de comunicador despontou cedo, quando, aos 17 anos, fazia um “bico” como locutor e animador do Grêmio Glorioso Progresso Tobias Barreto, clube de futebol engajado na campanha política de 1950, como retribuição a ajuda concedida pelos candidatos a deputado Otávio Rodrigues Maria e Mário Aprile, este diretor da Indústria de Tapetes Bandeirante.

Depois disso fui contratado pelos srs. Osvaldo Gimenez, um sargento da aeronáutica que gostava de mexer com rádio e Mario Mattos, um português que era técnico de rádio, que num pequeno edifício de dois andares situado na rua Taquari quase esquina com a rua da Mooca, possuíam um serviço de alto-falantes. Durante o dia eu divulgava lojas e produtos, como o Café Sucesso e a Manteiga Peter, mas a atividade mais marcante ocorria às 6 horas da tarde, quando eu lia a Ave Maria do livro de Manoel Cristino para as “normalistas”, que era o apelido que a gente dava para as operárias do Crespi, que àquela hora saiam do seu emprego.

Em 1952, com 19 anos, comecei efetivamente a minha carreira no rádio, ingressando na Radio Emissora de Piratininga onde atuei como locutor comercial. No ano seguinte fui para a Radio Nove de Julho, emissora do Serviço de Comemorações do IV Centenário de São Paulo. Em fins de 1954 fui para o Rio de Janeiro onde atuei nas Rádios Mayrink VeigaMundial e Nacional, iniciando também a carreira de divulgador de discos.

Em 1957 voltei para São Paulo, ingressando na Rádio Record, com o programa “A Toca do Disco”, usando como chamada para o programa o famoso som do Pica-Pau, personagem de desenho animado que, mais tarde, deu origem ao meu apelido. O sucesso foi tão grande que ameaçava a liderança da Rádio Bandeirantes com o seu famoso “Telefone Pedindo Bis”, de Enzo de Almeida Passos.

Em 1958 fui convidado pela Rádio Bandeirantes onde lancei o programa “Pick-Up do Pica Pau” , que chegou a dar 22 pontos no Ibope, índice de audiência até hoje não alcançado por nenhuma emissora de rádio do País.

Década de 40

Em 1 Dezembro 1958, estreia do programa “Pick up do Pica-Pau” na rádio Bandeirantes.

Passei, também, por outras emissoras de rádio e atuei em TV, principalmente na área de esportes, sendo o segundo repórter de campo televisivo (o primeiro foi o Silvio Luiz). Tive, igualmente, a felicidades de atuar na organização e promoção de inúmeros shows e lançamento de discos na época áurea da bossa nova (obs: ele foi um dos baluartes desse importante movimento musical), presenciando ou participando do “ lançamento” de vários novos valores como Elis Regina, Maysa, Milton Nascimento, Chico Buarque, Toquinho e tantos outros.

Aposentei-me das atividades no rádio e televisão em 1987, passando a escrever para jornais e revistas e fazer palestras sobre comunicação em faculdades da área. Também escrevi um livro, com o título “Vou te contar”, já em segunda edição onde são narradas interessantes histórias da música popular brasileira.

Mas, hoje, a maior parte do meu tempo é dedicada a minha família: minha esposa Déa (que em latim significa Deusa), e meus filhos Celina, Waltinho, Rodrigo e Carlos Eduardo que foram o suporte de toda essa minha jornada”

Bem, esses foram alguns dos muitos relatos que o mooquense Walter Silva gentilmente prestou para o Portal da Mooca, durante uma entrevista que durou quase cinco agradáveis horas. Naturalmente, principalmente no tocante a sua vida profissional, tivemos que fazer uma síntese. Se você quiser saber de mais detalhes (e vale a pena!) acesse o site oficial desse nosso ilustre homenageado: www.waltersilvapicapau.com.br

obs : Walter Silva nasceu em 7 Março 1933 e faleceu em 27 Fevereiro 2008.


Walter Silva started 'A toca do disco' at Sao Paulo's Radio Record in mid-1958. He had worked as a speaker at Radio Nacional Paulista up to 1957. Then he became a promotion-man for new independent label RGE. 

Walter was instrumental in turning Maysa into a national obsession when he became her assistant after she left her life as a Sao Paulo socialite and became a professional singer - recording a 10" album for RGE in 1956

Walter did his job so well, he was soon invited by Paulinho Machado de Carvalho to start a radio show of his own at Radio Record, the highest rating broadcaster in São Paulo at that time. 

Walter's style was fresh & original and a success. Soon he was poached from Radio Record by Radio Bandeirantes where he started 'O pick up do Pica Pau' in early January 1959. He left RGE to concentrate only on his radio show. 

Walter Silva had his best period at Radio Bandeirantes. 

Everywhere he went he would do the same sort of show... and he was always successful with his listeners. 
Radiolandia #225, 16 August 1958.

Revista do Radio n. 449 - 19 April 1958.
Radio Record programme grid:

9:00 - 'É disco que eu gosto' with Irvando Luiz
13:00 to 13:30 - 'Desafiando discotecas' with José Moura
13:30 to 15:30 - 'A toca do disco' with Walter Silva
23:00 to 0:30 - 'Disque discos' with Miguel Vaccaro Netto

Radiolandia n. 333 - 26 March 1960
Revista do Radio n. 324 - Walter Silva  & Geraldo Tassinari at Radio Nacional Paulista where he started in 1956.
Revista do Radio n. 779 - 1964.